| A
Call
To Arms:
Re-colonisation of The Feminine,
Bodyscape, Technology and the Spirit.
by
Victoria
Royds

|
 |
This
project hopes to highlight the notion of yearning for identity by reviewing
the relationship of the 'self' and 'other' (women) to the female body.
Through her work she hopes to reconcile feminine 'maternal time' (motherhood)
with linear patriarchal time (political, historical).
The
female body can be seen to function as a symbolic form that signifies
gender, race and perhaps even social class. Traditional, representations
of the female body have been coded in terms of a decisive split between
the mind and body, between the material and the spiritual, as well as
a political opposition between male and female; between dominance and
subservience. A tradition in which Man is representationaly aligned
with mind, and Woman is aligned with body.
The
act of casting women's body parts is not merely a material process but
is also a spiritual performance that requires an opening and expansion
of the self to meet with the 'other'. In this process of feminine disembodiment,
parts of her form are being removed, displaced and disconnected from
the original body. The whole being becomes fragmented and transformed
in space until only the external shell exists, hollow, empty, inviting
the construction of new meaning. Ultimately the process is a search
for the personal, physical and cultural space where the essence of self
can reside, whole and complete, within modern western society.

"A
Call To Arms: Re-colonisation of The Feminine Bodyscape, Technology
and the Spirit" - exhibition at the Toowoomba Regional Art
Gallery, March - April 2005 .