Jayson
Althofer
is an independent researcher and a part-time worker at Toowoomba
Regional Art Gallery, where he curates exhibitions showcasing the Lionel
Lindsay Gallery and Library Collection’s holdings of historic artworks,
manuscripts, books and maps.
He is working on
two large research projects. (1) An annotated anthology of colonialist
approaches to and consumerist appropriation of indigenous body
modification techniques in Australasia. Eucalypt 3 (2004), a
journal of Australian Studies published by the Australian Studies Centre
at Barcelona University, carries his article on Western representations
of Aboriginal cicatrisation and skin colour, ‘Caesar in New Britannia:
Tattooing the Cross on White Australia’.
(2) A study of
Norman Lindsay’s aesthetic ideology and commercial art practice,
particularly his contributions to ‘The Society of the Spectacle’ (Guy
Debord) in Australia. Jayson presented
“Embattled and Entrenched Art: Lionel and Norman Lindsay’s Cultural
Struggles during the First World War” at the War and Citizenship in 20th
Century Australia Symposium (National Museum of Australia, Canberra, 3
July 2004) and ‘“From the military school of life”: On Norman Lindsay’s
Use and Abuse of Nietzsche for War’ at the War and Memory Symposium
(Cobb & Co Museum, Toowoomba, 12 August 2005).