
|
A
Writers
|
Writers I’d like to have a Tabletop, a Tabletop of words, and be remembered for what I built, for how I climbed and how I was buried there to be found one day. To be found by picknickers would do. ‘When I Returned, Never having Left,’ David Rowbotham
She has worked as a registered nurse in hospital and community settings and has a degree in Communications and Sociology from the DDIAE (Now USQ). She is active within community groups and the professional development of regional writers. Her first book The Architect (2000) won the inaugural Queensland Premier's Award for best emerging author. The novel opens with a motorbike accident in which the central character Jules Van Erp is seriously burnt. Van Erp is a multilingual Eurasian with an international artistic reputation and he represents a particular dream of cosmopolitanism as wealth, education, talent, taste, travel and distinction. The architect is also a brilliant photographer, painter, and musician and much of the early interest in the story is related to the challenges which his painful rehabilitation from serious burns poses for his sense of identity.
Her
second novel, The Hanging Tree (2004) revisits some of the characters
and places of her first novel and is the result of twenty years of story
collecting and tracking oral family histories. In the novel, the young
narrator moves between the past and the present day as he explores a century
of social and political change through the stories of his ethnically mixed
rural Queensland family.
Watkinson's experience of the health profession is again put to use in this sprawling novel and a comparison with Dorothy Cottrel's work from earlier in the century allows an interesting measure of just how far the social position of women in this country has shifted.
Further Reading: Christopher Lee, 'Art, Disfigurement and the Pleasures of the Senses'.
Rev. of The Architect by Jillian Watkinson, Coppertales
7 (2001): 108-09.
Please use the link list on the left to access various featured writers Biographies and Portraits. Submissions and suggestions for writers not yet included can be sent to leec@usq.edu.au |
||||||
|